If Foundation’s Edge sees Asimov diving into the Thriller genre, then Foundation and Earth is the complete opposite. Here, Asimov attempts something far more psychological and philosophical. These were things he avoided in previous installments. Considering how different Edge was in terms of ideas, the new approach isn’t surprising. Like a true intellectual, Asimov challenges himself and his thinking. Too bad this challenge was too much for him.
The first Foundation novels’ strengths was in knowing in their limits. Despite the huge scope, Asimov knew he’s not good at expressing ideas or psychology in fiction. So the whole series was just some cool puzzles and adventure stories. That’s also why none of them is truly brilliant. Edge only approaches that because it has a better understanding of the Thriller genre.
Foundation and Earth is supposed to be the series’ defining statement. It’s a slower, denser novel. It’s more concerned with the philosophical implication of Gaia than solving whatever puzzle Asimov came up with. Many are bothered by the trashing of the Seldon Plan, but that’s just Asimov replacing his old ideas with what he considers to be better one.
Asimov was never good at expressing ideas using fiction. He used them to make his stories look cooler, but there never was any deep exploration. He tries to do it here, and he always stumbles. The novel tries to tackle the community vs. individuality debate, and the only answer he can come up with is ‘let’s wait until we get to Earth’. The dialogues feel literally copy-pasted. The same phrases make an appearance, over and over. I don’t think people in real life say the same thing in the exact phrase.
We also get some cool set-pieces that feel like they belong in a different novella. An adventure consists of various stages, and each is supposed to both stand on its own and contribute to the whole. In general, they’re challenges for the characters to overcome and develop.
Since Asimov doesn’t develop characters, they all feel pointless. Killer moss could make for a fun short story. Solaria and their obsession with loneliness would be fantastic in the hands of a more philosophical writer, someone like Aldous Huxley. Here, all it gives is a plot coupon to redeem later.
Even the final conclusion is disappointing. For a novel so reliant on ideas, the conclusion should’ve been more than to reveal who was behind the scenes. We get no argument for Galaxia. All we get is that there was a person behind the velvet curtain and that we shouldn’t pay any attention to it. Such a conclusion would have worked in previous novels, but here Asimov doesn’t aim for a simple adventure.
There’s even rambling prose and lots of sex, which is new to Asimov. Maybe Asimov disocvered sexuality only at around age 65, which is great for him. I heard many men can’t get it up at that age, but it doesn’t make the sex any less out of place. At least Asimov is not as misogynistic as other authors. He writes like a person who doesn’t understand people in general, rather than just women. Even if we get a male character who has a lot of sex, at least the attitude towards it is positive.
The rambling prose is harder to forgive. Asimov’s strength was in how skeletal his prose was. There was nothing under the surface, but there was zero bullshit. Here, we get a lot of technobabble, including the precise distance between things (Did Asimov bother to calculate?) and meaningless descriptions of nothing. Rambling prose doesn’t make it seem like you got buried ideas. It makes it look like you’re trying to hide a lack of them.
The only idea that works is Asimov’s defamiliarization of Earth. It doesn’t get much deeper other than pointing out how unique Earth is, but there’s fun in it. His descriptions of musical instruments is especially entertaining. Asimov’s sense of fun and wonder at the universe also didn’t vanish. Despite the rambling prose, it’s still easy to follow and read. He doesn’t create a dense labyrnith where the content gets buried. It’s the same old Asimov, only with some extra unnecessary words.
It’s a fun adventure, but Foundation and Earth is an anticlimatic closer to the series. I appreciate Asimov’s effort to try out new things, but none of it works. It’s still worth reading if you enjoyed the other Foundation novels. Asimov was a fascinating mind, and you can see his progress throughout the novels. It’s an average adventure that rambles a little too much, but I’ll give Asimov credit for how his ideas progressed. He didn’t call himself a rationalist for nothing.
2.5 galaxies out of 5
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